UERJ 2017 – Questão 21

Linguagens / Inglês
THE COST OF BEING HAWAIIAN: DEFENDING OUR IDENTITY
 
A beautiful Polynesian woman moves her hips from side to side, a flower adorning her ear as her hands glide across her body in harmony with the music. She looks like a photograph come to life. Beside her is a dark and handsome man smiling and playing the *ukulele. He sings throughhis gigantic  smile a beautiful love song to the dancing girl. After a time, the man stops playingand the woman stops  dancing. The two stare lovingly into each other’s eyes and jump into their canoe, disappearing  into the sunset.
This misconception about the Hawaiian culture has always been around, and although I do not profess to be an expert in Hawaiian studies by any means, I know that these ideas are only cheap imitations and generic stereotypes created more to appeal to tourists than to perpetuate and preserve the Hawaiian way of life. The more people are exposed to these misconceptions, the less they understand the true beauty of the Hawaiian  people and the richness of their cultur esteeped in politics, agriculture, aquaculture, dance, storytelling and an oral tradition that includeboth extensive genealogies and mythology.
Imagine the reaction of our Hawaiian forefathers if they were to view one of the many dinner/cocktail shows that litter the pages of our tourist guides. What would they think? 1Would they proudly applaud our efforts to preserve their contributions to history? Or would they laugh at its absurdity? Is the need to be an economically viable state causing us to compromise our true identity as Hawaiians in exchange for the luxuries that come with being a tourist destination? As a boy, I took trips to the Big Island. Visiting  therer eminded me that Hawaiians  had their own place in history and a proper culture complete with its ow form of government, its own form of religion and its own legal system. These discoveries about my heritage filled me with equal portions of pride and wonderment.
The most concerning thing to me as a Hawaiian is the growing commercialization of our culture and its possible consequences. 2Simplifying the culture merely for financial gain may actually cost Hawaiians more than they think. 3I do not dispute the fact that the tourism industry brings in much needed revenue to the state, but how long can we tolerate the integrity of our culture being violated simply to earn money? How much longer can we sell these fabricated ideas of the islands before they imbue themselves upon the cultural consciousness of all Hawaiians?
I am not suggesting that we shut down every hula show that makes a profit off of reinforcing stereotypes, but that Hawaiians as a people with a rich heritage and a long cultural history need to be more active in understanding our cultural identity. As western influence grows, we need to take steps to preserve our culture so that our children don’t grow up believing the stereotypes that are so readily conditioned into the mind of every tourist. Tourism will not go away, but we need to take steps as Hawaiians to ensure our traditions are not swallowed up by these superficial shadows.
 
*ukulele −Hawaiian musical instrument
upuaoewa.org

 
In the last paragraph, the author refers to the hula show to reinforce the following idea:
a) the dancers should focus less on their heritage.
b) the people should be more concerned about their culture.
c) the government should prohibit this kind of entertainment.
d) the performance should be used to stress native stereotypes.

Veja outras questões semelhantes:

UFPR 2020 – Questão 89
According to the part of the text that starts with “For some today the American Dream...”, how many different meanings can be related to the American Dream today? a) 5. b) 4. c) 3. d) 2. e) 1.
Base dudow 2000 – Questão 69
O que o autor afirma sobre os tubarões? a) Eles mordem as pessoas como forma de alimentação b) Eles migram para as praias americanas no inverno c) Eles não mordem pessoas propositalmente d) Humanos fazem parte da cadeia alimentícia deles e) Tubarões estão em extinção
UERJ 2007 – Questão 56
A Europa vista pelo desenhista francês Plantu. ...
UNIFESP port e inglês 2011 – Questão 45
No trecho do quarto parágrafo – Laugh faster or slower than that and it sounds more like panting or something else. – a palavra "like" indica: a) preferência. b) probabilidade. c) semelhança. d) condição. e) ênfase.
FATEC (2ºsem) 2008 – Questão 14
Segundo o texto, “Hollenbeck” a) não se importa de viver sem conforto; isto é parte da estratégia. b) não consegue viver sem conforto, embora isto seja parte da estratégia. c) não cede à condição de viver confortavelmente, ainda que isto seja parte da estratégia. d) não admite o fato de viver sem conforto porque isto não é parte da estratégia. e) abre mão de viver confortavelmente, embora isto não seja parte da estratégia.